{"id":19006,"date":"2026-03-22T07:02:56","date_gmt":"2026-03-22T06:02:56","guid":{"rendered":"https:\/\/www.bretzel-liquide.com\/blog\/?p=19006"},"modified":"2026-03-22T08:16:11","modified_gmt":"2026-03-22T07:16:11","slug":"prions-le-seigneur","status":"publish","type":"post","link":"https:\/\/www.bretzel-liquide.com\/blog\/2026\/03\/22\/prions-le-seigneur\/","title":{"rendered":"prions le seigneur"},"content":{"rendered":"\n
\"des<\/a><\/figure>\n\n\n\n

prions le seigneur<\/p>\n\n\n\n

Paul Delvaux, Crucifixion, 1954. Huile sur panneau, 200 x 270 cm, Collection priv\u00e9e en d\u00e9p\u00f4t au Mus\u00e9e d\u2019Ixelles, Bruxelles <\/p>\n\n\n\n

alt : des morts levant la t\u00eate vers le squelette de J\u00e9sus en croix<\/p>\n\n\n\n

Delvaux s’est exprim\u00e9 sur les squelettes qui pour lui ne repr\u00e9sentent pas la mort, mais la vie. Le squelette est une structure qui permet de repr\u00e9senter tous les mouvements humains, il est l’essence de la vie.  Il rattachait son go\u00fbt pour les squelettes \u00e0 des souvenirs de scolarit\u00e9 o\u00f9 un squelette dans une salle d’\u00e9tudes l’avait d’abord effray\u00e9.<\/p>\n\n\n\n

En 1949, (\u00e0 Choisel), il utilise les  squelettes pour des sc\u00e8nes dans la tradition de la peinture religieuse. .<\/p>\n\n\n\n

Dans ces tableaux, les sc\u00e8nes fondatrices du christianisme (L\u2019annonciation,<\/em> La Crucifixion, Ecce Homo<\/em> ou La Descente de croix<\/em>, La mise au Calvaire<\/em>) sont en quelque sorte interpr\u00e9t\u00e9es par des squelettes. <\/p>\n\n\n\n

Delvaux s’est d\u00e9fendu de toute intention provocatrice : \u00ab Je ne pouvais pas peindre des sc\u00e8nes religieuses avec des personnages vivants, cela aurait \u00e9t\u00e9 stupide, cela n’aurait eu aucun sens. Cela avait \u00e9t\u00e9 fait mille fois, admirablement, au cours des si\u00e8cles pr\u00e9c\u00e9dents. Ce que je pouvais faire, c’\u00e9tait remplacer la figure vivante par des squelettes, parce qu’alors je pouvais soudainement donner \u00e0 mes squelettes quelque chose de diff\u00e9rent, de dramatique, de vivant. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

prions le seigneur Paul Delvaux, Crucifixion, 1954. Huile sur panneau, 200 x 270 cm, Collection priv\u00e9e en d\u00e9p\u00f4t au Mus\u00e9e d\u2019Ixelles, Bruxelles alt : des morts levant la t\u00eate vers le squelette de J\u00e9sus en croix Delvaux s’est exprim\u00e9 sur les squelettes qui pour lui ne repr\u00e9sentent pas la mort, mais la vie. Le squelette […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,136],"tags":[116,232,64,1234,46,63],"class_list":["post-19006","post","type-post","status-publish","format-standard","hentry","category-art-liquide","category-de-lautre-cote-du-mouroir","tag-dimanche","tag-jesus","tag-mort","tag-paul-delvaux","tag-peinture","tag-religion"],"yoast_head":"\nprions le seigneur - \u00e0 l'ombre d'un paradoxe en fleur<\/title>\n<meta name=\"description\" content=\"prions le seigneur\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bretzel-liquide.com\/blog\/2026\/03\/22\/prions-le-seigneur\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"prions le seigneur - 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