{"id":337,"date":"2022-02-05T07:48:16","date_gmt":"2022-02-05T06:48:16","guid":{"rendered":"https:\/\/www.bretzel-liquide.com\/blog\/?p=337"},"modified":"2022-02-05T12:45:46","modified_gmt":"2022-02-05T11:45:46","slug":"la-terre-mere","status":"publish","type":"post","link":"https:\/\/www.bretzel-liquide.com\/blog\/2022\/02\/05\/la-terre-mere\/","title":{"rendered":"la terre m\u00e8re"},"content":{"rendered":"\n
\"la<\/a>
la terre m\u00e8re, Eva Milkonskaya<\/figcaption><\/figure>\n\n\n\n

la terre m\u00e8re<\/p>\n\n\n\n

Eva Milkonskaya<\/a><\/strong> <\/h2>\n\n\n\n

est une photographe conceptuelle de Kazan, en Russie. dipl\u00f4m\u00e9 en psychologie. Ses portraits d’art sont \u00e0 la fois beaux et myst\u00e9rieux. Ils vous tiennent en haleine avec leur beaut\u00e9 l\u00e9g\u00e8rement d\u00e9rangeante et unique. Dans ses clich\u00e9s, le corps humain est le protagoniste. D\u00e9pouill\u00e9 de tout clinquant, il devient un sujet s\u00e9rieux et authentique, une divinit\u00e9 contemporaine. Ces corps semblent spontan\u00e9ment fusionn\u00e9s avec la nature qui les entoure, m\u00eame si glaciale et hostile. Imagenation<\/a><\/p>\n\n\n\n

\u00ab\u00a0La Terre est la m\u00e8re universelle.<\/h2>\n\n\n\n

 Eschyle<\/a> glorifie la Terre qui\u00ab enfante tous les \u00eatres, les nourrit, puis en re\u00e7oit \u00e0 nouveau le germe f\u00e9cond \u00bb (Cho\u00e9phores<\/em>, 127-128). Une conception analogue survivait encore au XIXe<\/sup> si\u00e8cle parmi certaines tribus primitives. Un proph\u00e8te de la tribu nord-am\u00e9ricaine Umatilla refusait de travailler la terre : \u00ab C’est un p\u00e9ch\u00e9, disait-il, de blesser ou de couper, de d\u00e9chirer ou de griffer notre m\u00e8re commune, par des travaux agricoles. \u00bb Et il ajoutait : \u00ab Vous me demandez de labourer le sol ? Irai-je prendre un couteau pour le plonger dans le sein de ma m\u00e8re ? Mais alors, lorsque je serai mort, elle ne me reprendra plus dans son sein. Vous me demandez de b\u00eacher et d’enlever des pierres ? Irai-je mutiler ses chairs afin d’arriver \u00e0 ses os ? Mais alors je ne pourrai plus entrer dans son corps pour na\u00eetre de nouveau. Vous me demandez de couper l’herbe et le foin et de le vendre et de m’enrichir comme les Blancs ? Mais comment oserais-je couper la chevelure de ma m\u00e8re ? \u00bb<\/p>\n\n\n\n

L’hymne hom\u00e9rique d\u00e9di\u00e9 \u00e0 Gaia (Terre) exalte \u00ab la Terre, m\u00e8re universelle aux solides assises, a\u00efeule v\u00e9n\u00e9rable qui nourrit tout ce qui existe […]. C’est \u00e0 toi qu’il appartient de donner la vie aux mortels, comme de la leur reprendre […]. \u00bb C’est la raison pour laquelle la grande d\u00e9esse, la Terre-M\u00e8re, est consid\u00e9r\u00e9e non seulement comme la source de la vie et de la fertilit\u00e9, mais aussi comme la ma\u00eetresse du destin et la d\u00e9esse de la mort. Dans l’Inde, Durg\u0101-K\u0101l\u012b est \u00e0 la fois cr\u00e9atrice et destructrice, principe de la vie et de la mort.<\/p>\n\n\n\n

En M\u00e9sopotamie, Ishtar<\/a> est la d\u00e9esse de l’amour par excellence, mais aussi la d\u00e9esse de la guerre. On l’appelle \u00ab Dame de l’amour \u00bb, \u00ab Reine du plaisir \u00bb, mais aussi \u00ab la Vaillante \u00bb, \u00ab la Dame des batailles \u00bb.<\/p>\n\n\n\n

Parmi les noms de grandes d\u00e9esses, les plus connus sont Ardv\u00ee et An\u00e2hita en Iran, Ishtar \u00e0 Babylone, ‘Atar’ate en Syrie, Astart\u00e9 en Ph\u00e9nicie, Tanit \u00e0 Carthage, D\u00e9m\u00e9ter<\/a> et Aphrodite<\/a> en Gr\u00e8ce, Cyb\u00e8le<\/a> en Asie Mineure. Toutes ces d\u00e9esses pr\u00e9sentent une structure analogue. Elles expriment la sacralit\u00e9 de la vie et le myst\u00e8re de la fertilit\u00e9, mais aussi le caprice et la cruaut\u00e9. D’un c\u00f4t\u00e9, elles prodiguent la vie, la force et la f\u00e9condit\u00e9 ; \u00e0 l’oppos\u00e9, elles apportent la guerre ou les \u00e9pid\u00e9mies. Presque toutes sont des d\u00e9esses de la vie, de la fertilit\u00e9 et de la mort tout ensemble. En un certain sens, on peut d\u00e9chiffrer dans leur personnalit\u00e9 la valorisation religieuse de la vie cosmique, avec tous ses myst\u00e8res et toutes ses contradictions\u00a0\u00bb. source Universalis.fr<\/a><\/p>\n\n\n\n

La cr\u00e9ation de la vie \u00e0 partir d’argile<\/strong> <\/h2>\n\n\n\n

est un th\u00e8me r\u00e9current du cr\u00e9ationnisme<\/a> apparaissant au sein de la mythologie, la litt\u00e9rature et de certaines th\u00e9ories modernes. Wikipedia<\/a><\/p>\n\n\n\n

autres publications bretzel liquide tagu\u00e9es Eva Milkonskaya<\/a><\/p>\n\n\n\n

tags : boue, sillon, golem, poussi\u00e8re, Adam et Eve, agri-culture<\/p>\n","protected":false},"excerpt":{"rendered":"

la terre m\u00e8re Eva Milkonskaya  est une photographe conceptuelle de Kazan, en Russie. dipl\u00f4m\u00e9 en psychologie. Ses portraits d’art sont \u00e0 la fois beaux et myst\u00e9rieux. Ils vous tiennent en haleine avec leur beaut\u00e9 l\u00e9g\u00e8rement d\u00e9rangeante et unique. Dans ses clich\u00e9s, le corps humain est le protagoniste. D\u00e9pouill\u00e9 de tout clinquant, il devient un sujet s\u00e9rieux et authentique, une divinit\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[216],"tags":[217,82,62,31,85,64,211,48,168,184,4,28,63,185],"class_list":["post-337","post","type-post","status-publish","format-image","hentry","category-exercice-illegal-de-la-profession-de-jardinier","tag-agri-culture","tag-culturisme","tag-dieu","tag-ecologie","tag-mere","tag-mort","tag-mythologie","tag-nu","tag-origine-du-monde","tag-philosophie","tag-photo","tag-psychologie-en-partenariat-avec-spychologie-magasine","tag-religion","tag-sommeil","post_format-post-format-image"],"yoast_head":"\nla terre m\u00e8re - \u00e0 l'ombre d'un paradoxe en fleur<\/title>\n<meta name=\"description\" content=\"la terre m\u00e8re, Eva Milkonskaya. 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